
‘La Belle Dame Sans Merci’ is a Pre-Raphaelites painting inspired by Keats’ poem from 1819. It describes an encounter between a knight and a mysterious fairy lady. The...

‘La Belle Dame Sans Merci’ is a Pre-Raphaelites painting inspired by Keats’ poem from 1819. It describes an encounter between a knight and a mysterious fairy lady. The...

British female painter Beatrice Emma Parsons (1870—1955) chooses this pivotal moment of the Annunciation to portray the innocence and vulnerability of a young woman...

English painter John William Waterhouse (1849—1917) known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and...

The English painter Edmund Blair Leighton (1852—1922) quickly developed a preference for paintings on historical themes and medieval subjects. His paintings represent a...

Born in Paris in 1856, Édouard Bisson (1856—1945) studied art under one of the most successful of French artists, Jean-Léon Gérôme. He always saw himself as a painter of...

“Let us be grateful to the people who make us happy; they are the charming gardeners who make our souls blossom.” ― Marcel Proust. Henry Ryland, Almond Blossom, c. 1890,...

Édouard Bisson’s (1856—1945) work focused on elevating a stylized form of feminine beauty during the Fin de Siècle. He exhibited regularly at the Salon of French Artists...

Eduard Veith (1858—1925) was an Austrian portrait painter and stage designer. Many of his works were influenced by Symbolism. Eduard Veith, Madonna with Jesus Surrounded...

A beautiful maiden admires her reflection in this allegorical painting by French Academic painter Guillaume Seignac (1870—1924). The artist is best known for his...

Paul Émile Chabas (1869—1937) was a neo-classical French painter and illustrator and a member of the Academie des Beaux-Arts. He was born in Nantes, and had his artistic...

Trained in the Continental academic tradition, befriended by the Pre-Raphaelite Brotherhood and elected President of the Royal Academy, Frederic Leighton (1830—1896) was...

For today, the very last painting by Dante Gabriel Rossetti (1828—1882), an English Pre-Raphaelite artist. This oil on panel painting, from 1882, titled “Joan of Arc”....

The model for this work was the artist’s first wife, and fellow painter, Mary Young-Hunter. The couple met as students at the Royal Academy and married the year this was...

"Doubt thou the stars are fire; Doubt that the sun doth move; Doubt truth to be a liar; But never doubt I love." — William Shakespeare, Hamlet. Georges Roussin, Ophelia,...

A dominant, full length female figure, in emerald green robe, gazes towards the viewer, her long thick wavy hair flowing down her back. She has one leg placed forward,...

The sitter for this painting was Jane Morris, the wife of William Morris, who often posed for Dante Gabriel Rossetti (1828—1882), an English painter, poet, illustrator,...

“The Siren” was painted by Giulio Aristide Sartorio (1860—1932) after his first visit to London and strongly reflects the influence of English Pre-Raphaelite painting....

Sir William Llewellyn (1858—1941) was a notable English painter of the late 19th and early 20th centuries. He served as President of the Royal Academy of Arts from 1928...

William Bruce Ellis Ranken (1881—1941) was a Scottish artist and Edwardian aesthete. While in America, John Singer Sargent introduced him to a leading American art...

Eduard Veith (1856—1925) was born in Vienna, where he attended the art school and was a pupil of Ferdinand Laufberger. He continued his education in Paris. Veith created...
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