
Exhibited in 1897 at the Royal Academy in London, “A Fan-maker” is a wonderful example of Perugini’s (1839—1918) fascination with combining classicism with the...

Exhibited in 1897 at the Royal Academy in London, “A Fan-maker” is a wonderful example of Perugini’s (1839—1918) fascination with combining classicism with the...

The art critic Marion Spielmann wrote, in 1898, that Perugini was “the painter par excellence of the siesta, the recorder, in delicate color and harmonious line, of the...